However every single time I import the sequence into Da Vinci with Scott Freeman’s suggested workflow I receive the same message. I’m keeping the relinked sequence at 1080 as the unpaid version of Da Vinci does not support 4K. I am then dropping multiple clips from each camera into a sequence and relinking the original 4K footage. I am using Scott Freeman’s technique of duplicating the clip Name into a custom bin column ‘LINK’ and the Start Timecode into ‘Auxiliary TC2’ laid out in this article We will be delivering at 4K but would like to work in 1080 as we feel this is what our system will be able to handle best. My current workflow is to AMA the footage and then transcode into DNxHR LB 1080. There’s about 20 other types of cameras which are going into this fly on the wall project. Sony A7S MP4 AVC Long-GOP High and Panasonic EVA1 MOV AVC Long-GOP High422. I’m using two of the main cameras which will be featured in the film as test footage as this is all I have access to at the moment.
We are about to start editing a feature length documentary in MC and I have been running and testing workflows for the past week while we await storage for all of our footage to make sure it all runs smoothly. I’ve been through just about every post on this forum, Avid’s and elsewhere to try to find a solution to no avail. I was wondering if you might be able to shed some light on a problem which I have been working on trying to fix for some time now but have hit a brick wall.
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